Movie Review: "Downfall (Der Untergang)"
This movie depicts in detail the last days of Hitler and his associates in the bunker in Berlin, as well as some events outside the bunker (the fall of Berlin.) I should preface this by saying that I have an active interest in the history of World War II. This is not a documentary, but a reenactment with actors, and all in German with subtitles(except a bit of Russian near the end.) The screenplay was based on a historical text by Joachim Fest and first-person accounts by Traudl Junge, Hitler’s personal secretary from 1942 until the end, and a young boy who fought the Russians in the streets as part of the Hitler youth. I found the film gripping and fascinating throughout. Bruno Ganz as Adolf Hitler is incredible. And the woman playing Magda Goebbels is frightening.
I hope I am not overly fascinated with the subject, but I found the continued fantasy on the part of Hitler and Eva Braun weirdly mesmerizing. She keeps trying to throw parties and get people to dance, and she’s all giddy. (Basically, she’s off her nut.) When a command post for an army regiment was overtaken by the Russians, Hitler threatened to have the commander shot for "moving the command post" toward the Russian lines. He was ordering companies to attack who were completely encircled, or had 80% casualties, or little to no ammunition. And the most shocking revelation to me, and one they really drove home, was that he coldly sacrificed the people of Berlin--he directly caused thousands of people to die needlessly by not surrendering. He said the German people had proved themselves weak so they had to die, they betrayed him; he was totally unsympathetic to them. Totally inhuman (why would anyone be surprised? but it was shocking to me just the same.) But the movie was interesting in that at moments it portrayed him in a sympathetic light, warmly concerned for his secretaries or for his dog.
As Hitler continues to deny the inevitable, hemmed in by a roomful of sweating commanders simultaneously hating him (he castigated them as traitors and cowards whenever they even hinted at the truth of the situation,) horrified by his actions, and scared to death by him, I kept thinking: TWO assassination plots involving the high-up military brass have already failed. They must have been going nuts.
So, I recommend the movie, but I would warn the potential viewer that it is pretty violent—it is a war movie, and depicts a group of desperate people at the tail end of a grand, horrible, violent dream. There were some depictions of amputation that I had to look away from, and there are several suicides.
According to my sister, the movie has been criticized in Germany both for being too sympathetic to Hitler and for being too damning of Hitler. MSH was lukewarm. He thought it was too long. He said "Hitler was fucked up, and the people who were fanatical about him were fucked up, and they could have told us that in an hour and a half." So it brings up an interesting point about historical films. I think it was an excellent film, and an excellent historical film, because it seemed (and my reading seems to back this up) that great pains were taken to keep everything authentic down to the details. I admit my judgment is clouded because I am very interested in the history. But is the presentation of historical events beyond a dispassionate recitation of the facts useful or ethical? In other words, could someone who IS really unjustly fascinated with Hitler for all the WRONG reasons use this to fuel his fire? “Should” the movie have been made in other words, and made 2 hours 45 minutes long—does it glorify more than educate and warn?
3 Comments:
There's a fine line, but it's certainly possible for a movie to be both historically accurate and entertaining. Obviously the accuracy must be limited to a certain level of detail in order not to become mere drudgery; but as long as the viewer is willing to accept the knowledge that, while some details may be fictionalized, the whole is essentially accurate, a movie can certainly both entertain and educate.
Of course, some movies (coughU-571cough) change a great deal more than just details, with the obvious intent of making bank.
There's another fine line between historical inaccuracy and historical fiction, and avoiding it is as easy as saying "This movie is set against a historical backdrop, and while certain elements are based on actual events, the story itself is fictional."
Alas, that doesn't sell nearly as many tickets as, "This movie is based on actual historical events! Everything that explodes in this movie ACTUALLY EXPLODED! Everyone who dies a horrible bloody death in this movie ACTUALLY DIED A HORRIBLE BLOODY DEATH! Just imagine, if YOU had lived back when this happened, YOU could have been a STUPENDOUS BADASS just like the people in this film!"
10:52 AM, March 16, 2005
Ha! My dear, when using U-571 as an example, you must realize that my sister's love of history in general and WWII history in specific is easily swept aside by:
A) Matthew McConaughey without a love interest
B) Matthew McConaughey in Navy dress whites
C) Matthew McConaughey in a wet T-shirt.
Your example was chosen...POORLY. :P
However, on a less tangential point, I DON'T know if this movie was the one of which I conveyed the German critiques to my sis. What I DID read was that Germans have only very recently begun to make movies about Hitler, et cetera, and that the emotions around the subject are volatile and contradictory. Some Germans feel that to show Hitler as even partially human is an affront to the memory of his victims; others feel that to depict him as a monster is a facile way to elude the truth, that humans are capable of almost unbounded evil.
5:44 PM, March 16, 2005
Holy Holocaust, I cannot believe you subjected your SAINTLY husband to go to a 2 hr and 45 minute movie about Hitler. I only read the last para of your post and I'm already all hot and bothered. I can't fathom anything you could do for him that would be worthy as payback!
When you're talking character drama, which is what I understand this movie to be from the excruciating trailer I saw, I don't think historical accuracy is possible 60 or even 5 years after the fact, regardless of whether your aim is to make money or something more noble.
And I guess I would say that it's not fair to ask if a film or some other piece of art is ethical or useful. It's the place of a textbook or the news media to educate and warn, and art that has education as a conscious aim is usually asstastic at worst and not art at best.
10:18 AM, March 18, 2005
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